Artistic approach
For some time now, I have been very passionate about the concept of movement .
An interest that undoubtedly stems from the culmination of my experiences over the past few years.
From fine arts to an audiovisual school, the discovery of a simple concept completely reoriented my artistic approach.
This concept is nothing more than a basic definition of the
Video: Moving Images .
Movement, a word that allowed me to find on canvas what I was looking for in the video.
Going a little further than Impressionism, which sought in some ways to break free from the overly strict codes of the academy, I am trying in my recent work to liberate the image of the
the constraint of the flat and fixed surface of the canvas, to restore its dynamism, to make it move.
This quest for freedom has extended beyond the surface of the painting and carries the canvas away.
in its own momentum giving rise in me to the spontaneous desire to break free from traditional hanging (pictures fixed on the wall, perfectly straight and perpendicular to the millimeter), using spatialization to accentuate movement and interaction with space.
So, I tell myself that a painting that's "poorly hung," crooked and not straight, can have its charm: let's say it allows the subject it depicts to slip or escape. I see hanging as also an experiment, even an extension of the pictorial work.